I’ve seen dv done by trained camera operators and dv done by researchers and producers. Out of interest, whereas the NTSC version offers 24p with a recommended shutter speed of 48 to mimic film, does this mean that PAL users should have a shutter speed of 50 for the same result? Again, the film look is about replicating the human vision system. He explains in detail why you should never shoot interlaced. When shooting 24p myself, I find its best to get alot of coverage. So I shot one of our videos at 60p adn another at 60i, just to play around, and I didn’t like either as much, so now I guess its just my preference for this show. Others here will probably give you better advice, but here is mine:
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You have a great camera. Only if shot at 60p or am I missing something Thanks Rory.
SprayStream 50i – 60i – 70i High Pressure
The reason for this is that my work is predominantly delivered for viewing on computer and HD LCD screens which have progressive displays. To get the most out of it internally shoot pf25, 24mbps, C-LOG. Canon UK twitter instagram linkedin youtube. Is it 50i, 50p, 24, 25, you know, basically as far as I’m concerned you stay away from 24 or 25p unless you are working with a director who is looking for that particular look ‘ Since I’ve been working with DSLR’s and more recently with full HD cameras such as the XF and very recently the C I’ve always recorded, edited, transcoded and uploaded in progressive mode.
I know many are realising that as resolution and frame rates are increased it becomes harder to keep the audience engaged.
May 16th, I have not thought about this. I have a very good plasma TV, I think this will reveal all “secrets” and show me strengths and weaknesses. Benefits include a wide surveillance range and exceptional performance in low-light conditions.
I am shooting a lifestyle cooking show and I would like to know what is going to be better 25p or 50i. I watched the trailer for Philip Johnson’s new C primer and was struck by a statement he made advising against recording in progressive mode.
canon C 50i vs pf25 – EOSHD – EOSHD Forum
However the low frame rate makes it quite difficult to shoot. Others here will probably give you better advice, but here is mine: Originally Posted by Ian Stark I fell foul of this recently. I am not convinced at all.
You need to be a member in order to leave a comment. The human eye behaves much like film in cnaon bright lights will leave streaks and fast motion will leave a blur.
The HDMI output is 50i even, and you need a recorder that can do a pulldown. I’ve had a couple of minor problems with my Casablanca software regarding certain effects and transitions being thrown by the frame rate.
One of the reasons I started with 24p was with small P2 cards I could get more footage on a card.
What is better 25p or 50i at
DV Info Net refers all where-to-buy and where-to-rent questions exclusively to these trusted full line dealers and rental houses Originally Posted by Mark Dobson.
With 25p you get the so called “judder”. If not BluRay existed, I would have shot 50p my camera allows this. If human vision had anything like that canoh of motion blur we’d never be playing tennis or racing cars around a track at mph.
Day 2 was all at 50i.
Sign up for a new account in our community. Just like 7up, the difference is clear lol. Plus, Automatic Noise Reduction further improves image quality by processing the image before transmission. I shot my first film on cano C at Gatwick Airport in interlace, it looks awful on a monitor with the fields clearly visible, never again.
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